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If I am asked, what I mean by difference of quality in pleasures, or what makes one pleasure more valuable than another, merely as a pleasure, except its being greater in amount, there is but one possible answer. Of two pleasures, if there be one to which all or almost all who have experience of both give a decided preference, irrespective of any feeling of moral obligation to prefer it, that is the more desirable pleasure. If one of the two is, by those who are competently acquainted with both, placed so far above the other that they prefer it, even though knowing it to be attended with a greater amount of discontent, and would not resign it for any quantity of the other pleasure which their nature is capable of, we are justified in ascribing to the preferred enjoyment a superiority in quality, so far outweighing quantity as to render it, in comparison, of small account.

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I don¡¯t regret for a single moment having lived for pleasure. I did it to the full, as one should do everything that one does. There was no pleasure I did not experience. I threw the pearl of my soul into a cup of wine. I went down the primrose path to the sound of flutes. I lived on honeycomb. But to have continued the same life would have been wrong because it would have been limiting. I had to pass on. The other half of the garden had its secrets for me also. Of course all this is foreshadowed and prefigured in my books. Some of it is in The Happy Prince, some of it in The Young King, notably in the passage where the bishop says to the kneeling boy, ¡®Is not He who made misery wiser than thou art¡¯? a phrase which when I wrote it seemed to me little more than a phrase; a great deal of it is hidden away in the note of doom that like a purple thread runs through the texture of Dorian Gray; in The Critic as Artist it is set forth in many colours; in The Soul of Man it is written down, and in letters too easy to read; it is one of the refrains whose recurring motifs make Salome so like a piece of music and bind it together as a ballad; in the prose poem of the man who from the bronze of the image of the ¡®Pleasure that liveth for a moment¡¯ has to make the image of the ¡®Sorrow that abideth for ever¡¯ it is incarnate. It could not have been otherwise. At every single moment of one¡¯s life one is what one is going to be no less than what one has been. Art is a symbol, because man is a symbol.

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m casino bonus£¬It has been said that the only way to civilize a people is to form in them habits of industry. Judged by this principle, the Tahitians are less civilized now than formerly. True, their constitutional indolence is excessive; but surely, if the spirit of Christianity is among them, so unchristian a vice ought to be, at least, partially remedied. But the reverse is the fact. Instead of acquiring new occupations, old ones have been discontinued.Accepting the tract offered him, the cosmopolitan glanced over it, and, seeming to see just what it was, closed it, put it in his pocket, eyed the man a moment, then, leaning over and presenting him with a shilling, said to him, in tones kind and considerate: ¡®And the Emperor frowned. ¡°It is but a ring of lead,¡± he cried, ¡°nor has it any value. Therefore take thy half of the treasure and go from my city.¡±This is the article that, above all others, puts the scourge into the hands of the Captain, calls him to no account for its exercise, and furnishes him with an ample warrant for inflictions of cruelty upon the common sailor, hardly credible to landsmen.

But as everyone knows that idleness is the hardest work in the world, so our Commodore was specially provided with a gentleman to assist him. This gentleman was called the Commodore's secretary. He was a remarkably urbane and polished man; with a very graceful exterior, and looked much like an Ambassador Extraordinary from Versailles. He messed with the Lieutenants in the Ward-room, where he had a state-room, elegantly furnished as the private cabinet of Pelham. His cot-boy used to entertain the sailors with all manner of stories about the silver-keyed flutes and flageolets, fine oil paintings, morocco bound volumes, Chinese chess-men, gold shirt-buttons, enamelled pencil cases, extraordinary fine French boots with soles no thicker than a sheet of scented note-paper, embroidered vests, incense-burning sealing-wax, alabaster statuettes of Venus and Adonis, tortoise-shell snuff-boxes, inlaid toilet-cases, ivory-handled hair-brushes and mother-of-pearl combs, and a hundred other luxurious appendages scattered about this magnificent secretary's state-room.¡®I don¡¯t think I should like America.¡¯Though you tormented the Turks at Navarino, noble Jack, yet you came off yourself with only the loss of a splinter, it seems,knout

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Android casino app£ºAnd so, thou art my brother;¡ªshall I call thee Pierre?

But no; he insisted upon his afternoon devotions. His countenancebecame intolerably fervid, as he oratorically assured me--gesticulatingwith a long ruler at the other end of the room--that if his services inthe morning were useful, how indispensable, then, in the afternoon?

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At the end nearest the larger table was a tin basin of water, surrounded by small sponges, placed at mathematical intervals. From the long horizontal pole of a great-gun rammer¡ªfixed in its usual place overhead¡ªhung a number of towels, with

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BOOK X. THE UNPRECEDENTED FINAL RESOLUTION OF PIERRE.£¬Outside he could see the huge dome of the cathedral, looming like a bubble over the shadowy houses, and the weary sentinels pacing up and down on the misty terrace by the river. Far away, in an orchard, a nightingale was singing. A faint perfume of jasmine came through the open window. He brushed his brown curls back from his forehead, and taking up a lute, let his fingers stray across the cords. His heavy eyelids drooped, and a strange languor came over him. Never before had he felt so keenly, or with such exquisite joy, the magic and the mystery of beautiful things.¡£LVI. UNDER THE LEE OF THE LONG-BOAT¡£

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I see, I see, child,£¬Bartleby,¡£but, somehow, our great mechanician moves me strangely. Why, just now, when he so superciliously replied, his walk seemed Sisera's, God's vain foe, in Del Fonca's painting. And that young, sculptured Deborah, too. Ay, and that¡ª.¡£

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His physical power all dribbled and gone, the sick man replied not by voice or by gesture; but, with feeble dumb-show of his face, seemed to be saying £¬Another day passed on; Glen and Frederic still absenting themselves, and Pierre and Isabel and Lucy all dwelling together. The domestic presence of Lucy had begun to produce a remarkable effect upon Pierre. Sometimes, to the covertly watchful eye of Isabel, he would seem to look upon Lucy with an expression illy befitting their singular and so-supposed merely cousinly relation; and yet again, with another expression still more unaccountable to her,¡ªone of fear and awe, not unmixed with impatience. But his general detailed manner toward Lucy was that of the most delicate and affectionate considerateness¡ªnothing more. He was never alone with her; though, as before, at times alone with Isabel.¡£There are, also, by this arrangement, many more establishments for selling than are necessary in the villages, towns, and cities; and a very large capital is thus wasted without benefit to society. And from their number opposed to each other all over the country to obtain customers, they endeavor to undersell each other, and are therefore continually endeavoring to injure the producer by the establishment of what are called cheap shops and warehouses; and to support their character the master or his servants must be continually on the watch to buy bargains, that is, to procure wealth for less than the cost of its production.¡£

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Now, nobody is so heartily despised as a pusillanimous, lazy, good-for-nothing land-lubber; a sailor has no bowels of compassion for him. Yet, useless as such a character may be in many respects, a ship's company is by no means disposed to let him reap any benefit from his deficiencies. Regarded in the light of a mechanical power, whenever there is any plain, hard work to be done, he is put to it like a lever; everyone giving him a pry.£¬And when¡ªat the critical moment of quitting his chambers that morning of the receipt of the fatal tidings¡ªthe face itself¡ªthe man himself¡ªthis inscrutable Plotinus Plinlimmon himself¡ªdid visibly brush by him in the brick corridor, and all the trepidation he had ever before felt at the mild-mystic aspect in the tower window, now redoubled upon him, so that, as before said, he flushed, looked askance, and stammered with his saluting hand to his hat;¡ªthen anew did there burn in him the desire of procuring the pamphlet. ¡£I did not fancy this station at all; for it is well known on shipboard that, in time of action, the quarter-deck is one of the most dangerous posts of a man-of-war. The reason is, that the officers of the highest rank are there stationed; and the enemy have an ungentlemanly way of target-shooting at their buttons. If we should chance to engage a ship, then, who could tell but some bungling small-arm marks-man in the enemy's tops might put a bullet through me instead of the Commodore? If they hit him, no doubt he would not feel it much, for he was used to that sort of thing, and, indeed, had a bullet in him already. Whereas, I was altogether unaccustomed to having blue pills playing round my head in such an indiscriminate way. Besides, ours was a flag-ship; and every one knows what a peculiarly dangerous predicament the quarter-deck of Nelson's flag-ship was in at the battle of Trafalgar; how the lofty tops of the enemy were full of soldiers, peppering away at the English Admiral and his officers. Many a poor sailor, at the guns of that quarter-deck, must have received a bullet intended for some wearer of an epaulet.¡£

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